Wednesday, December 30, 2009
Paris Underground - Nub, Snips & Crab (Artificial Latvamäki Remix)
My remix of Paris Underground's song is out now on Snejl Records. Promo player + feedback at: http://vipultima.com/promo_sheet.php?releaseId=231. That's all for now. Recording of Tuomas Henrikin Jeesuksen Kristuksen Bändi's next albums continues HOT.
Wednesday, November 25, 2009
Music for the hurting ears
While being busy in the studio with our band, working with producing 2 albums, I don't get a lot of free time for my ears. So when not recording and producing, I like to listen something soft and dreamlike.
Animal Collective's (see photo) new "Merriweather Post Pavilion" album has been a good thing to find for the quiet moments after a long day in the studio. I love what they've done with the master sound! It's distant, like it could've come from the 50s, but there are still those fresh synth sounds and modern production behind that all. The mastering was done by Joe Lambert, but the effect was propably made earlier, in the production stage already... cannot be sure though. But what I'm sure about is that the different and unique sound itself makes the record stand out from the masses. In an interview they don't want to call it "anti-internet sound", but it certainly is something against the brickwall loudness heard in modern music. The simply effective songs with great dynamics make me really envious, but then again, almost always listening to good music makes me think: "Why cannot I do that?!".
Upon researching (googling) more about their recording process, I came up with this part of the interview with the producer Ben Allen: 'Just prior to hitting Chase Park Transduction Studios to mix the Animal Collective record, Allen describes the highly creative recording and pre-mixing process. “To get the low end they wanted, we set up four different reamping stations in the studio—using a Fender spring reverb, an Ampeg Portaflex bass amp, a little Gibson guitar amp and the huge QSC P.A. system they use for their live shows,” describes Allen. “They’d record things straight out of their samplers through the Neve 80 Series desk into Pro Tools, and then we’d reamp the kick drum or the snare drum or 20 snare drums or bass synth parts through one of those stations, pick the sound we liked best and record that back into the computer.”
Putting up room mics and reamping these low-end elements gives the band the “live” sound they’re after, as Allen explains. “We’re using that setup to create ambience that didn’t exist in the samples themselves, which makes them sound like a band playing in a room.”' --- taken from: interesting mixing techniques website
That really sounds like what we've been doing and planning with Tuomas Henrikin Jeesuksen Kristuksen Bändi to get the electronic material sounding like it's been played and not just programmed - although we don't have expensive Neve desks or tons of plugins, we still try to be inventive in the studio and often change the working methods based on pure intuition. Usually it works :) Now upon reading about the techniques described above, I came up with tons of ideas. Tomorrow I will go to the library and get some material and then I will rethink our studio setup a bit.
Animal Collective's new EP "Fall Be Kind" is coming out in december. Check out their hit video, but first, listen to this:
The song is 'Maybes' by Mount Kimbie, followed by the whole EP.
'Maybes', the song, is a really nice combination of guitar sounds, organic percussion, tuned vocal snippets. While sounding a bit like burial, a unique soundscape is certainly achieved. The songs sound like they are just beginning a journey and could easily be stretched to be twice as long. 'Vertical' is definitely my favourite song from the EP and it almost sounds a little like Aphex Twin going to more organic directions.
Oh. I've been up all night, and it's 8 am, I should be going to sleep to be able to continue recording tomorrow. Catch you later!
Animal Collective's (see photo) new "Merriweather Post Pavilion" album has been a good thing to find for the quiet moments after a long day in the studio. I love what they've done with the master sound! It's distant, like it could've come from the 50s, but there are still those fresh synth sounds and modern production behind that all. The mastering was done by Joe Lambert, but the effect was propably made earlier, in the production stage already... cannot be sure though. But what I'm sure about is that the different and unique sound itself makes the record stand out from the masses. In an interview they don't want to call it "anti-internet sound", but it certainly is something against the brickwall loudness heard in modern music. The simply effective songs with great dynamics make me really envious, but then again, almost always listening to good music makes me think: "Why cannot I do that?!".
Upon researching (googling) more about their recording process, I came up with this part of the interview with the producer Ben Allen: 'Just prior to hitting Chase Park Transduction Studios to mix the Animal Collective record, Allen describes the highly creative recording and pre-mixing process. “To get the low end they wanted, we set up four different reamping stations in the studio—using a Fender spring reverb, an Ampeg Portaflex bass amp, a little Gibson guitar amp and the huge QSC P.A. system they use for their live shows,” describes Allen. “They’d record things straight out of their samplers through the Neve 80 Series desk into Pro Tools, and then we’d reamp the kick drum or the snare drum or 20 snare drums or bass synth parts through one of those stations, pick the sound we liked best and record that back into the computer.”
Putting up room mics and reamping these low-end elements gives the band the “live” sound they’re after, as Allen explains. “We’re using that setup to create ambience that didn’t exist in the samples themselves, which makes them sound like a band playing in a room.”' --- taken from: interesting mixing techniques website
That really sounds like what we've been doing and planning with Tuomas Henrikin Jeesuksen Kristuksen Bändi to get the electronic material sounding like it's been played and not just programmed - although we don't have expensive Neve desks or tons of plugins, we still try to be inventive in the studio and often change the working methods based on pure intuition. Usually it works :) Now upon reading about the techniques described above, I came up with tons of ideas. Tomorrow I will go to the library and get some material and then I will rethink our studio setup a bit.
Animal Collective's new EP "Fall Be Kind" is coming out in december. Check out their hit video, but first, listen to this:
The song is 'Maybes' by Mount Kimbie, followed by the whole EP.
'Maybes', the song, is a really nice combination of guitar sounds, organic percussion, tuned vocal snippets. While sounding a bit like burial, a unique soundscape is certainly achieved. The songs sound like they are just beginning a journey and could easily be stretched to be twice as long. 'Vertical' is definitely my favourite song from the EP and it almost sounds a little like Aphex Twin going to more organic directions.
Oh. I've been up all night, and it's 8 am, I should be going to sleep to be able to continue recording tomorrow. Catch you later!
Sunday, November 22, 2009
Steve Moore and the landscapes of italian soundtracks through american motorways
Maybe a year ago, my friend Geoff recommended me some music by Zombi. From that moment on it's been one of my favourite 'when you are traveling alone on the floor' -listening music. But only a few months ago I discovered Steve Moore - the other half of the aforementioned group. His sounds send me through the floor into motorways and train tracks of 1985 with blinding natrium lamps illuminating the fluorescent motorway signs. He does something with synthesizers that makes kraftwerk meet blade runner smoking a cigarette on a balcony, watching the rainy city, which hums silently. In love.
This is his latest remix from soundcloud:
David Rubato - Circuit (Steve Moore Remix)
Let yourself sink deeper by listening to music from his Soundcloud page or from his blog. My latest favourites are his side project songs: Lovelock - Love Reaction and Majeure - Teleforce.
Wednesday, November 18, 2009
Unreleased song that's already seen some life
Here's a weird one I did a long while ago. It's a story about mixed feelings which emerged from a relationship breakdown. At the time of writing, I didn't know what had struck me. I remember having a party shortly after the shock that sent these feelings through me, and I was playing the song to the friends who arrived, and I remember Matsoni (Pus!) saying "Aki you are really mixed up!" upon hearing this. It was a demo version back then, which I finished when encountering sudden repeats of the initial emotional wave. In the second process I wanted to give it the direction I was really traveling towards: towards something better. The song starts deep in the gutter of things left unfinished but takes a direction later on, which lead to the thought of letting go all that. It's a story about getting away from the depths of oozy bryophyte to the start of climbing a good spirited mountain.
I have played the song live a few times. I would love to record a version of me practising it and putting it available here - when I have time to play a show I will do it! There are still stuff left to tell from this journey. But this is a beginning. Travel Safe!
I have played the song live a few times. I would love to record a version of me practising it and putting it available here - when I have time to play a show I will do it! There are still stuff left to tell from this journey. But this is a beginning. Travel Safe!
Artificial Latvamäki - Äkta Smak Och Sprödhet
(The title of the song is in swedish, and propably translatable)
Friday, November 6, 2009
The Dark Side Of My Music
If anyone ever wondered what I do besides organically orientated "Artificial Latvamäki" minimal trance/melodic techno mussic (typo intented) - here's a peek.
I do things for therapy. Music is one of the best things to get crap out of your system - in fact it all started for me because of that. Things that made me want to quit everything also made me work with music. Perhaps that is also one of the reasons that music business is so fundamentally flawed. Corporations just love to cash in on people's suffering. I've felt and seen that many times.
There's also a dark side of me - it's the light side. I would love to write songs with a vocalist, even poppy stuff, and show everyone that light can also be heavy and filled with emotion. This song here, is something I did with a girl, who at the same time helped me to get these feelings out of my system, and get myself out of the pit I was in. Therapy. That's it. We actually did a whole EP, 5 songs. We call ourselves Bibliotech (after atleast 6 months of pondering the name, this is what we came up with... it's sad actually. I wanted us to be "Mountains", or "Low mountains", but it was not good enough.) This is the first time the music is available and quite possibly the last time too, as nothing seems to happen on the "getting it anywhere" front... so here we go. Let me know what you think.
Bibliotech - Words Of Worries (Vaaleanpunainen)
Words Of Worries (Vaaleanpunainen) by akilatvamaki
I do things for therapy. Music is one of the best things to get crap out of your system - in fact it all started for me because of that. Things that made me want to quit everything also made me work with music. Perhaps that is also one of the reasons that music business is so fundamentally flawed. Corporations just love to cash in on people's suffering. I've felt and seen that many times.
There's also a dark side of me - it's the light side. I would love to write songs with a vocalist, even poppy stuff, and show everyone that light can also be heavy and filled with emotion. This song here, is something I did with a girl, who at the same time helped me to get these feelings out of my system, and get myself out of the pit I was in. Therapy. That's it. We actually did a whole EP, 5 songs. We call ourselves Bibliotech (after atleast 6 months of pondering the name, this is what we came up with... it's sad actually. I wanted us to be "Mountains", or "Low mountains", but it was not good enough.) This is the first time the music is available and quite possibly the last time too, as nothing seems to happen on the "getting it anywhere" front... so here we go. Let me know what you think.
Bibliotech - Words Of Worries (Vaaleanpunainen)
Words Of Worries (Vaaleanpunainen) by akilatvamaki
Monday, November 2, 2009
Negotiating For A New Artificial Latvamäki 12"
While waiting for our band's singer/violin player to come and record with us, I thought I'd write a bit of my release plans.
There's an ongoing process with Skylax Records to release a 12" Artificial Latvamäki record + two songs on different compilations. The 12" would include songs: "Mandolin", "Super Jumi" and a re-release of "It Is Not Now Either" with hopefully better sounds, but still staying true to the original. It's a song which I get a lot of feedback from and now that the label that released previously (Mezzotinto Records) went out of business, I am able to licence it to Skylax Records. The compilation songs include a remix of It Is Not Now Either and Torture Chorder. I wanted to work with Skylax ever since I heard the next release they are putting out, which is Maximilian Skiba's EP. That's disco at it's finest. Check it out!
http://www.myspace.com/skylaxrecordsmusic
There's an ongoing process with Skylax Records to release a 12" Artificial Latvamäki record + two songs on different compilations. The 12" would include songs: "Mandolin", "Super Jumi" and a re-release of "It Is Not Now Either" with hopefully better sounds, but still staying true to the original. It's a song which I get a lot of feedback from and now that the label that released previously (Mezzotinto Records) went out of business, I am able to licence it to Skylax Records. The compilation songs include a remix of It Is Not Now Either and Torture Chorder. I wanted to work with Skylax ever since I heard the next release they are putting out, which is Maximilian Skiba's EP. That's disco at it's finest. Check it out!
http://www.myspace.com/skylaxrecordsmusic
Thursday, October 29, 2009
Human thought and emotion: Jason Fine - Future Thought
I received a promo e-mail from Kontra-Music, letting me know of Jason Fine's new, excellent album, Future Thought. And to my suprise it IS excellent, but what really caught my attention was a part in the info text:
From the album, especially "Amplitude Modulation", with it's raw 909-hihat patterns revolving around the eerie strings and neverending-seeming melody line, reminds me of something old and pure, done in a new and fresh way not forgetting emotion transfer. In this song Jason uses ear splitting resonance sweeps in the strings that send chills down one's heart. Simply beautiful. More from Resident Advisor.
http://www.myspace.com/kontramusik
http://www.kontra-musik.com
"The dance music producer today can, to categorize, be divided into two types. First we have the producer, and this is the majority - who skillfully manipulate sound to satisfy dance floors and clubs. Then there is the musician - a person who transforms human thought and emotion into music. This is the category that best describes Jason. What comes out of his studio is always something very personal and special. The sounds are old school but the outcome is so much Jason’s own, that if feels very fresh and new."Exactly so! Guess which ones sell better?
From the album, especially "Amplitude Modulation", with it's raw 909-hihat patterns revolving around the eerie strings and neverending-seeming melody line, reminds me of something old and pure, done in a new and fresh way not forgetting emotion transfer. In this song Jason uses ear splitting resonance sweeps in the strings that send chills down one's heart. Simply beautiful. More from Resident Advisor.
http://www.myspace.com/kontramusik
http://www.kontra-musik.com
Wednesday, October 28, 2009
Räntä (a work in progress)
This song is a kind of a B-side track from my latest releases, it has been haunting me for a while, because there are many things I like about it, yet I feel something special is missing that would make it a whole individual with all it's faults (As you might know [and hear], I never like to make songs too perfect, because actually perfection has got little flaws in it that make it interesting and worth pursuing for. That's what it needs: something gritty and a little bit of that good old fashioned "what the fuck is that"-feeling to be approved as ready.)
Räntä by Latvamäki
Räntä by Latvamäki
Monday, October 26, 2009
Mielikutitus EP feedback
Here's some personal feedback from my most recent release "Mielikutitus EP".
Straightforward by Latvamäki
CRC (AW Recordings, Curle, Zyntax Motorcity)
Seems like my partner in crime (project WAV) never fails.
Deep, unique and melodical melancholy only aki is capable to pull off with such perfection. I will not go into detail about the tracks, since they all clearly tell their own story, and I´m having trouble to sum up my listening experience by using just words. You have to experience them yourself! Besides all that, the tracks sound technically so brilliant and pleasing to the ear, I think I will use them as a reference when mixing my own stuff.
Mark August (Connaisseur, Curle, Cocoon)
"Loving it man. Playing Merel Linen and Unstable allready.
Very nice work. The groove of Merel Linen is awesome."
Samuli Kemppi (Pakkas-levyt, Frozen North, Ostgut Tonträger, Prologue, Komisch)
Aki writes journey music for the floor. Solid 3 tracker with both depth and perspective. This is modern techno music, not just tracks that you won't even remember next week.
Jussi-Pekka (Frozen North, Poker Flat, Athletikk)
Will play "Unstable And Potentially More Destroying". Great ep in all!
Introvert (Night Vision / TEAM Records)If you don't trust these guys (I know I wouldn't), you have the possibility to give a listen to 2/3 of the tracks. One is here and one can be also found from my myspace page. I left my favourite one off, because it seems to be so that people always like the ones I like the least.
I think "Merel Linen" is emotional techno at its best. As the name says in finnish, it reminds of the sea with a liquid percussion, wavy rhythmic pads and loose melodic lead. I also like that it sounds more Oulu than Berlin. "Straighforward" is my second pick from this EP that I would play. It reminds me of Donnacha Costello's work a bit but still keeps the original Latvamäki touch. Simple and warm beauty. I really enjoy this ep - maybe not the best Aki's work for me yet but still really strong release that stands out from the masses. Thanks!
Straightforward by Latvamäki
Kun Minä Unohduin Ja Se Olitkin Sinä feat. Eini Pesälä
"When I Was Forgotten And It Was You". An emotional encapsulation of time with the help of my friend Eini. We were hanging out and talking about life and the difficult things in life. She had some unwelcome feelings inside of her that we both wanted to get rid of so I fired up my Arp Axxe synth and asked her to play. Knowing that this synth is a hard one play as it seems to have a will of it's own I hooked it up to the mixer and let her at it. It was the most beautiful thing I have ever heard to come out of that particular synth! I quickly hooked up some stereo delays and started making some backup beats, bassline, melody and pads for her to jam with and then recorded her playing into the mix... it was magic. The song is only a loop that I did to back her up and Eini playing the synth, no edits. This is about capturing the moment. Here it is, the moment we had.
Kun Minä Unohduin Ja Se Olitkin Sinä by Latvamäki
Kun Minä Unohduin Ja Se Olitkin Sinä by Latvamäki
It Is Not Now Either (Live video)
I did this photo slideshow video to let people hear how the old It Is Not Now Either can sound in my liveset. The recording is from Helsinki, Hytky's Satiini party from 2008.
The song It Is Not Now Either will be released on Skylax records in 2010. Together with 2 unreleased songs "Super Jumi" and "Mandolin". Mandolin is also on the LWE podcast.
The song It Is Not Now Either will be released on Skylax records in 2010. Together with 2 unreleased songs "Super Jumi" and "Mandolin". Mandolin is also on the LWE podcast.
Little White Earbuds, Interview + Podcast
James Cardis aka. James Kartsaklis did this in-depth interview a few months ago. I was really by his questions and things got a bit personal. Which the reader should find illuminating at least. Also there's a podcast included with unreleased and soon-to-be released material. Hope you enjoy it!
http://www.littlewhiteearbuds.com/lwe-podcast-23-aki-latvamaki/
Live video clips from show in Happiteltta 2008
I made a short youtube-video with clips from my show at the excellent Happiteltta 2008. Edited in Ableton Live ;)
Review of Ratts EP in Resident Advisor
There's a psychotic rewiev of my last Curle Records release, Ratts EP in resident advisor. Interesting choice of words, I have to say.
http://www.residentadvisor.net/review-view.aspx?id=5810
http://www.residentadvisor.net/review-view.aspx?id=5810
Fresh start
This the soon to be blog of Musician Aki Latvamäki aka. Artificial Latvamäki. After disappearance of my previous website, I decided to start a new one here in blogspot. First I will compile and post some of the old links that I can remember. After that, let's see what happens.
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